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A big Crestview welcome

October 26th, 2009, 5:04 pm by Brian

As you can guess from my recent articles about Noirmoutier, Crestview’s French sister city, I’m wild about the place. It’s a magical, wonderful place, filled with warm, hospitable people. Friday night 46 of them (I think it’s 46) arrived at Northwest Florida Regional Airport.

I was so proud of the welcome our local hosts gave our guests. Their flight was almost two hours late, and after nearly 24 hours of travel, they were just bushed. As they staggered down the stairs and escalator, they were suddenly greeted by shouts and cheers and waving Tricolors (the French flag) from their Crestview friends (new and old). You could see their eyes light up, their smiles grew big, and for the 20-some kids in their group, looks of apprehension vanished and were replaced by massive grins.

Once they were all assembled at the base of the escalators, they surged through the barricade, and under the amused but watchful eye of a TSA officer, the group from the concourse side and the group from the waiting side merged into one. There were hugs, and cheek kisses and hand-shakes and smiles all around.

There were my dear friends Gérard and Marie-Thérèse, René and Madeleine, and sweet Dr. Marie-Thérèse Reed, the world’s most consummate hosts. When my friend David and I visited Noirmoutier this time last year, there was nothing they wouldn’t do to make our stay comfortable, happy and memorable.

There were many of the students I met at their school and at a community forum, including Momo, with his arm in a sling (what’s that all about?), and Bruno, whose brown eyes constantly twinkle and who’s always ready to smile. There was the headmaster, Monsieur Perrocheau, and Noirmoutier’s Mayor Noël Faucher and their wives. There was Ivan, one of the “BAFA boys” (official escorts) I had met last year.

And there were two new friends, Xavier and Christophe, who are staying with us. (Xavier is René and Madeleine’s son.)

Some misguided people around these parts sadly still dismiss the French, which is rather shameful when you consider that these lovely folks have been America’s stalwart friends since before our Revolutionary War. Like any friends of many years, there are bound to be occasional differences of opinion. No friends agree on everything, and friends always agree that sometimes they’ll disagree, but they also agree that differences are quickly buried in the past. Especially when the friendship is so much bigger than any silly minor differences of opinion, it is an excellent reason not to harbor lasting resentments and make insulting wisecracks. Friends don’t do that. And these lovely people from Noirmoutier are most definitely our friends.

I was proud of the welcome they received, both at the airport and about an hour and a half later, at Jack Foster Stadium, when Mayor David Cadle presented Mayor Faucher the key to the city, and the Big Red Machine struck up “La Marseillaise.” (And the boosters at the Nut Hut distributed our guests’ first taste of that fabulous southern treat, boiled peanuts, to assuage rumbling tummies, many of which missed dinner in the dash from the airport to the high school!)

I hope our guests have even half the fun I had in Noirmoutier last year. And I can’t wait to see them again on their own, magical turf!

How We Miss 007!

September 30th, 2009, 1:52 pm by Brian

My friend Gary Firuta opened a fascinating can of worms recently. Gary is respected as one of the nation’s foremost authorities on James Bond, and commenting that Dame Shirley Bassey recently released a new album (you go Shirley!), noted that the last 007 film, “Quantum of Solace,” could have benefited from her vocal talents. Dame Shirley recorded the theme songs to three previous Bond films.

Gary also forwarded a news report titled “Will James Bond live to die another day?” reporting that M-G-M, the studio that, along with the Bond films’ producer Eon Productions Ltd., owns half the rights to the Bond franchise, may be on the verge of bankruptcy, which would put production of the next Bond film into turmoil.

What followed Gary’s comments was a plethora of general agreement, often accompanied by links to YouTube videos showing how one of Dame Shirley’s new numbers perfectly works with the “Quantum of Solace” title sequence, and is much better than the horrid racket, Alicia Keys’ “Another Way to Die,” the producers at Eon Productions chose.

Weighing in on the discussion have been such luminaries from the world of 007 as Doug Redenius, one of the execs at the Ian Fleming Foundation, which collects and preserves some of the Bond film vehicles and vessels, and Raymond Benson, who has authored several Bond short stories and novels for the estate of the late Ian Fleming, Bond’s creator.

I finally added my own two-cents’ worth: “I heartily agree with Gary et. al. That Jason Bourne movie they called “Quantum of Solace” sucked so bad it’s a wonder we weren’t all propelled violently out of the cinema. What a pity to waste one of the greatest Bond titles on a movie that bore no resemblance to a Bond film,” I wrote.

“One can only hope that when MGM/UA/Eon/Whoever get their acts together, they will budget enough money for the next 007 film to be able to afford tripods for the cameras and color film stock. Maybe there will be enough left over to purchase a good plot, too. (Maybe they have a left-over plot on the shelf from the last production, seeing as none was used.)”

I got a nice reply from a polite fellow named Tom Zielinski, a knowledgeable Bond enthusiast who runs an interesting 007 blog:

I too had issues with QOS.  My review at HMSS (http://www.hmss.com/films/QOS/TZreview.htm) notes some of your very points, and I gave it a mediocre review,” Tom wrote me. “But to imply that it is not a Bond film is ridiculous.

“No disrespect here, but I’m curious.  I’m guessing you’ve seen QOS but once and would prefer Roger Moore’s take on Bond?” Tom asked. “Your opinion is certainly as valid as anyone else’s.  Again, I’m simply curious.”

Since Tom asked for my opinion, I gave it to him. I should note, by the way, for one Bond enthusiast to suggest another Bond enthusiast prefers Roger Moore’s amusing portrayals of 007 over any of the other five actors’ performances (six if you count David Niven in “Casino Royale.” Seven if you include Barry Nelson, the first actor to ever portray James Bond) borders on a rather snooty insult. Here’s how I replied to Tom:

Hi Tom, yes I only saw QOS once. It was such an unpleasant experience that I haven’t been able to bring myself to even watch the DVD that I obligingly bought to complete the collection. The shaky, unsteady camera-work, the fast MTV edits, etc. actually made me queasy at some points!

Apart from calling one of the characters “James Bond” and another one “M,” I really didn’t see anything in that film that looked like a James Bond movie. It was absolutely no different than the last Jason Bourne movie: just a lot of bam! bam! bam!, cut! cut! cut!, loud explosion! loud explosion! The color was washed out and the camera must’ve been handled by someone with Parkinson’s who was off his meds the way it wobbled all the time, not that any one scene lasted long enough to actually allow any artistic camera use anyway. James Bond films have elegance, style and class. QOS had none of those attributes. It didn’t even have a decent theme song or a memorable score.

I still prefer George Lazenby as 007, and only wish he hadn’t been so head-strong that he didn’t let Cubby and Harry mold him to the role over several films. What a loss! Roger was amusing, but I still prefer him as Lord Brett Sinclair (in the TV series “The Persuaders,” in which he costarred with Tony Curtis) over 007. But even Roger’s worst Bond film, “Moonraker,” was eons (ha ha!) ahead of that sad tripe we were subjected to last fall. The day after we saw QOS, after I was done apologizing profusely to my friend for forcing him to sit through it (at least dinner at an excellent seafood restaurant that night assured the evening wasn’t a total waste), we actually watched “Moonraker.” Compared to the drivel we saw the night before, it was an exquisite Bond romp and Roger Moore was simply brilliant.

I know the series has to progress to remain relevant and attract new market share, and we can’t linger in the widescreen, Technicolor beauty and sophistication of the Sean Connery years — augmented, of course, by a lush John Barry score — but to completely abandon the elements that make a James Bond film a James Bond film is ludicrous, and in a way, insulting to movie audiences. Lose those elements and you’ve no longer got a James Bond film. With QOS, Eon did — and we haven’t.

A new era in CHA theatre

August 12th, 2009, 9:37 am by Brian

CHS drama teacher Joe Hernandez has done a lot in three short years to revive Crestview High School’s once-renowned drama program. In its heyday, drama teacher Mrs. Shirley Cadle and her husband, then band director Mr. David Cadle (now our mayor), collaborated to produce big, glorious musical theatricals on a truly impressive scale. Their shows are fondly remembered by many in our community, so when Mr. Hernandez was hired, there was great anticipation for the stage spectaculars so many folks missed.

Reviving the drama program, Joe Hernandez has had to take baby steps as he inches the department in the direction of the big, splashy productions for which the school was renowned. His tireless enthusiasm and energy have paid off. Hernandez, who is heading off to the University of Southern Mississippi to pursue his masters in fine arts in theatre, leaves behind an equally spirited troupe of young thespians.

When the curtain rises on the brilliant Neil Simon comedy “Brighton Beach Memoirs” next month, it could be argued that the show would have three directors; Hernandez, his successor Allison Wilks, and the kids themselves. For during the gap between Hernandez’s departure and Wilks’ arrival at CHS, the troupe of seven performers have been self-directing themselves in preparation for their Sept. 17 opening night.

Compounding the challenges in producing “Memoirs” are the summer renovations to the Pearl Tyner Auditorium—an exciting feat in itself—which means Neil Simon’s wit has been echoing in a variety of rehearsal venues around town, including several church halls. On the bright side, when the curtain goes up next month, it will be a brand new grand drape, under a new ceiling, and the room will resound to a new audio system.

I talked to Jesse Hinton yesterday. He’s got the lead role in “Brighton Beach Memoirs,” a role originally played on Broadway by Matthew Broderick, who won a best-actor Tony for it. Jesse’s enthusiasm practically spewed out of the phone as he told me he and his six fellow cast members are doing “whatever it takes” to assure a successful production. I’ve seen Jesse, as well as the rest of the cast, on stage before and trust they will do a superb job.

It is an exciting time to be a theatre enthusiast in Crestview. I can’t wait to see to what heights Allison Wilks will elevate the CHS drama program.

Welcome, Allison! Break a leg!

What part of “Do Not Call” don’t politicos understand?

July 22nd, 2009, 12:00 pm by Brian

When our representatives to Congress finally created the National ‘Do Not Call’ Registry, they also created a couple substantial loopholes. Not surprising, they exempted themselves and all other politicos. For good measure, they also exempted charities and non-profits, pollsters and media.

As anyone who has ever gone dashing through the house to grab the phone after settling on the couch to watch a bit of TV after supper only to find it’s someone begging for votes or money can tell you, these shameful loopholes suck.

Last night I returned home to find Congressman Jeff Miller had filled half our answering machine with so much political blah blah blah. Today I called his local Pensacola office (no one answered at his Fort Walton Beach office) to ask that our phone number be taken off his call list.

The earnest receptionist didn’t seem to understand my request and lectured me insistently on the permissibility of the congressman to bother anyone he feels like, whenever he feels like it. In true politician style, the receptionist totally dodged my question, “What do you think ‘do not call’ means?” and, get this, repeated the same spiel she had just delivered! So, I asked, can I give you my phone number and have it placed on the congressman’s own “do not call” list?

Well, apparently there’s no such list. Ol’ Jeff can call me — and you — anytime he wants, and dagnabbit, he’s determined to do so.

Therefore, here’s what our politicians need to do:
1) Remove all exemptions to the National “Do Not Call” Registry. What’s so confusing about the simple request to “do not call”? It means “I don’t want you to call me.” Plain and simple. Even if you’ve allowed yourself a shameful loophole, you should still check the registry just in case I’m on it. If I don’t want someone calling to sell me a timeshare, it probably a good bet that it also means I don’t want you calling to sell me a load of political bull ca-ca either.
2) Today’s technology is pretty impressive. For those people who like receiving calls from charities and non-profits, allow them a mechanism to opt-in to receiving those calls. Same for those folks who like having pollsters interrupt their dinner hour. But make it a conscientious decision on the part of the telephone subscriber to purposefully choose to allow those calls.

So I had the bright idea that I’d call Jeff Miller at home during his supper and discuss his thoughts on telephone abuse and interruptions during quality time with the family, but — what a surprise — his insistent receptionist just said “thank you for calling” and hung up on me.

Let’s write or call our representatives and get them working on closing those National “Do Not Call” Registry loopholes. They’re being abused, and their authors are the worst abusers.

Local Arts Committee Off & Running

July 21st, 2009, 11:45 am by Brian
I just wanted to give a quick report on last night’s (Monday, 20 July) meeting of the local committee of the Okaloosa Arts Alliance. I’ll have the full story in next week’s News Bulletin’s Arts & Entertainment section. We met at the library in the big meeting room, and though only six of us showed up, there was an air of excitement and expectation that we are on the threshold of seeing great things happen in the north end of the county’s art scene.
Rae Schwartz, as a board member of the OAA, chaired the meeting in the absence of OAA staff who had intended to join us, but one took ill and the other didn’t realize she would be needed to fill in. We missed them, but had a good, substantive chat. There was enthusiasm galore, not just because we know there are bunches of talented visual and performance artists all over the area, but because they now have a central organization through which they can promote north county arts.
It’s important that local artists embrace this opportunity. The more who get involved, the more attention we can garner for the local arts community, and the more the Crestview area community in general can benefit. The next meeting will be Tuesday, Aug. 25, at 6 p.m. at the library. All artists, art lovers, art supporters and art instructors should be there or be cubist. (Ha ha, that was a lame art joke.)

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Summer Arts are Flourishing

July 15th, 2009, 4:13 pm by Brian

It’s hot and sultry outside but inside I discovered the arts are flourishing. I swung by the Crestview Public Library this morning and saw a really cool exhibit in the lobby display cases. A talented young mixed-media artist named Eliezer Nieves has on display a captivating selection of pieces done in what he calls “color graphs.” He employs clippings and text from publications as well as photos and hand-written thoughts to make bold, eye-catching statements about a variety of topics, including current events, politics, relationships and people. The exhibit will be up through August. Check it out.

Next I swung by the library meeting room and watched a slew of youngsters making piggy puppets under the watchful gaze—and with a bit of assistance from—their guardians, parents and teachers. It was the regular monthly Family Crafts gathering, one of the many great services offered at our library. With a broad smile, four-year-old Aaron Bailey held his puppet up proudly. Look for a photo of Aaron, his puppet, and his proud mom, Donia Bailey, in next Wednesday’s Arts & Entertainment page in the News Bulletin.

Over at the high school, rehearsals are in full swing for the Drama program’s fall production of Neil Simon’s comedy, Brighton Beach Memoirs. Sadly, drama teacher and director Joe Hernandez is leaving CHS to work on his master’s degree in theatre, but he assured me an equally talented and enthusiastic replacement, one of his classmates, will most likely be hired to take his place and continue the momentum as the lavish, professional and enjoyable productions the community enjoys continue at CHS.

Down at the north end of the main hall, Summer Art Camp is in full swing under the instruction of art teachers Laurel Siwicki and Lori Phillips. Aided by rising seniors and alumni artist aids, the camp boasts its largest enrollment ever, with 39 young artists making everything from mixed-media self portraits in a cubist style to sculptures using pipe cleaners. Today they were writing their own fairy tales, which they will then illustrate.

The arts are as valuable to our schools—and community—as sports and academics. They are a hallmark of a civilized and cultured people. We are fortunate to have so many venues for locals to express themselves in visual and performing arts here in the Crestview area. Go out and make or support art!

PS: If you love art, support art, make art or teach art, be at the Crestview Public Library on Monday, 20 July, at 6 pp.m., for the organizational meeting of a Crestview area committee of the Okaloosa Arts Alliance. Let’s get some of that county art money and events flowing to the county seat, Okaloosa County’s largest city. To get more information, e-mail Rae Schwartz at bakerny@yahoo.com and just ask.

A Virtual Trip Home

March 4th, 2009, 3:31 pm by Brian

No, no, no, Newark, N.J., is not my hometown! I just happened to have been born there. (In St. Barnabas Hospital, in case you wondered. And no, it hasn’t anything to do with the sympathetic vampire on Dark Shadows.)

My hometown is Highland Lakes, N.J., or as I proudly rattled it off as a very little person, “Hiyakesnewjersey.” Within a month of my birth, I was living at what is now 107 Vista Road. (We didn’t get a street address until I was in high school. For years we were PO Box 491. Then we became RD#1 Box 366.)

Highland Lakes was a cool place to grow up. Five lakes—four of them manmade—seven beaches, ball courts, tennis courts, swimming and sailing galore. (There was also great fishing, but that activity bored me to tears.) It was up on Waywayanda Mountain, from the highest peak of which you can see into New York state to the north. I spent many hours up on that peak doing my homework with the dog. (She was very good at conjugating Spanish verbs and was a whiz at the periodic table of the elements.) In winter I’d ride my bike on the frozen lakes. It was my only opportunity to ride on a flat surface, as everything else was hills, many of them substantial.

I haven’t been home to Hiyakesnewjersey since Dad passed away in February 2007, but I’m hoping to go back and see friends there early this summer. Meanwhile, my brother recently notified me that Dad’s house was back on the market, and for considerably less than we sold it for to a couple named Jason and Kimberley. I’m sorry they have to sell. They seemed a very nice young couple.

We looked at pictures of all the work they’ve done to it since we moved out. Some changes I like, and some just ain’t right. Foremost among the latter is the loss of the “country cabin” style that made our house so homey. It used to have neat, rough-cut wooden siding. Making it warm and cozy inside was awesome knotty pine paneling. This was the real stuff, not masonite printed to look like knotty pine.

The new owners covered the house in beige vinyl siding and ripped out all the knotty pine inside and hung sheetrock in its place. They did some good stuff, though. There’s an awesome front deck that overlooks the lake, about half a mile away, and they replaced and enlarged the back deck.

(That’s where Dad was engrossed in his newspaper one sunny day when he heard someone clear his throat at the steps. Lowering his paper he found himself about six feet away from a friendly bear, who, with a bear’s limited visual acuity, hadn’t noticed Dad behind his newspaper. Dad shot into the house and the bear, just as surprised as Dad was, shot up a tree. From those vantage points they stared at each other through the kitchen window.)

The front deck used to just be a landing by the door. I recall sitting on my grandfather’s lap there on a drizzly spring day. I was bitterly disappointed that it was raining because Poppa and I were supposed to go for a walk and I was really looking forward to it. However, we passed a very pleasant period just sitting on the landing, sheltered by its roof, and chatting about all those wonderful things a boy discusses with his grandfather. Since then I’ve always enjoyed sitting on a porch and watching the rain.

The new folks knocked out the nice, big picture window to put in a suburban house’s sliding glass patio door, which I think just doesn’t fit. But they did some good stuff, too. Our old dining room, which had previously been an open porch when the house began life as an early 1950s summer cabin, was opened up and turned into the kitchen. The old kitchen, which was miniscule, was totally ripped out, as was Dad’s little office, which was originally the cabin bathroom. Those changes enlarged the living room nicely.

Jason and Kimberley also tore out the original cabin attics, extending the cathedral ceiling the length of the old original cabin. (Though for some odd reason they flattened it out instead of allowing it to go all the way up to the peak of the roof, as it used to.)

In the “new” section of the house, which dates from 1962, they reduced the size of the landing that leads to the original section of the house. That’s a shame, because it made a grand prescenium for the production of childhood plays. On the other hand, I see a photo of my bedroom, which has been converted to a sort of study. My closet is now a pair of bookshelves, which I think looks really sharp.

Kimberley told me one of her favorite features is a reproduction of an antique map of the world on the wall in the upstairs hallway. Dad hadn’t painted the hallway walls yet, and the unfinished plasterboard reminded me of antique parchment. I painted and drew the map on the wall over a succession of cold, winter nights in 1972. In fact, while I was working on it, President Nixon came on the TV downstairs and announced the signing of the Paris peace accords, ending our involvement in Vietnam. Kimberley told me that it was in front of the map that Jason proposed to her, knowing she liked it so much. She told me the only change they made was to mount a frame around it.

The garage now has a peaked roof. It used to have a sort of flat roof with a very slight peak to it. It was used as a sundeck and was the location for many wonderful picnics and lazy days in a hammock. Our pseudo-cousins, the Doaks, would come up from Pennsylvania and we’d have loads of fun driving pedal cars around that sundeck while our parents visited. They were the sort of relatives you’d have if you could pick your own relatives. I stay in regular touch with pseudo-cousin Allen, who is a swell guy and a great friend.

One wintery day after a nice, deep snowfall, a friend and I set up a folding lawn chaise lounge in the snow and my friend, wearing naught but his swimsuit, sprawled on it with a book, sunglasses and an iced tea while I took pictures. (I need to get hold of copies of those pix!) And it’s where Spooky, our half German shepherd, half Newfoundland mix would lounge on a summer’s day. (Our grandmother was convinced she would escape by jumping off the sundeck. Spooky was no idiot. She’d escape by going to the other end of the yard and jumping from a small hillock over the fence.)

It was fun looking through the slides on the realtor’s Web site, but it was also sad in some ways to see the home that holds so many memories looking so dramatically different. My brother and I agree that Mom would have a fit if she saw all that wonderful (and extremely valuable) knotty pine so callously ripped out. But she and Dad would’ve liked the idea of converting the dining room into the kitchen and opening it to the living room. We had plenty of plans to expand the kitchen, but had never thought of that option.

Someone said you can never go home but that’s not true. For many, such as myself, home is always in a warm place in my heart and I can visit it whenever I wish. In my mind I can still vividly see all those Christmasses and birthdays and graduation parties and Thanksgivings and snowball fights and sledding down the driveway and raking leaves and doing homework and family Monopoly nights. Looking at those photos on Weichert Realtors’ Web site brings them all rushing to the forefront.

Highland Lakes will always be my hometown.

I’m just glad Jason and Kimberley got rid of the avocado kitchen appliances and orangey-red carpet. What WAS Mom thinking?

(Want to see my childhood home as it looks today? Here’s the link to the realtor’s Web site: http://www.weichert.com/search/realestate/propertylisting.aspx?P=22773722)

Open Channel D

February 12th, 2009, 5:19 pm by Brian

Alternately depressed or incensed by the evening news, my friend Troy finally stopped watching it all together. No use getting his blood pressure up over stuff he has no control over anyway. Years ago he switched to, and now sticks with, Nick at Night.

“If it hasn’t happened in Hooterville, I don’t know about it,” he proudly boasted. I must agree with him.

Before I came over here to the Emerald Coast, I had DirecTV. I was so excited when I was able to drop my cable TV, because Cox Cable, New Orleans’ cable TV monopoly, is notorious for its miserable customer service in the Crescent City. (I hear they’re pretty good over here.) Finally I gave up on ‘em, bought a dish, and loved watching NewsWorld International, the History Channel and “So Graham Norton” on BBC-America.

Then DirecTV raised their basic rate above $40 a month and I realized it was a huge waste of money just to watch three channels.

“But we have 2 billion (or whatever the number is) sports channels,” the customer service dude protested when I called to cancel my service. Who gives a flip? I don’t watch sports.

He offered to keep me at the previous rate for three more months. Still not worth it. I’d made up my mind. I cancelled my satellite service.

I suddenly felt so liberated!

I didn’t have to drop everything at night when NewsWorld international ran the English-language service of Deutsche Welle. I didn’t feel obligated to see who Graham Norton had on as a guest. (Though the time he featured Sylvester Stallone’s mother Jackie because she could read peoples’ fortunes by examining photocopies of their nekkid rumps was a howler.) I did, though, kinda miss the History Channel.

I know, I could’ve bought a TiVo and watched these shows at my convenience. But ya know, not having to watch them at all was so incredibly liberating.

On those occasions when I felt the need for a little telly, I’d go to my video library and select a DVD, VHS or Beta and pop it in. (Yes, I had Beta right up until I moved to Crestview. I still have the deck and plenty of tapes in the attic. And yes, it is still a far superior format over VHS.)

When I moved to Crestview the satellite dish moved with me. It’s been in the attic since I got here. We once thought about hooking it up, but it looks so tacky stuck on the house, and besides, then I’d just have to subscribe to the service again. Then, once we’ve invested in the service, we’d feel an obligation to get something out of that investment, so when deep inside we’d really rather settle on the couch with a good book, we’d feel we’d better switch on the tube and watch the Hitler Channel (as a college educator friend’s students call it) to justify forking over more than $40 a month.

In fact, we’ve got it easy now. Living in a sort of hollow in north Crestview, we can’t get over-the-air TV reception at all. It’s a great excuse not to even worry about the switchover to digital television next week, er, I mean in June. (Does the government really think people who have been warned more than two years in advance that the switch from analog to digital is coming but who haven’t bothered to pick up their converter boxes yet will really do so now that they’ve been given a couple more months?)

But not getting TV reception is a stupendous reason to have a sensational video library!

(“Video,” to be clear, means any format for presenting images and sound on your television monitor, be it DVD, VHS, my beloved Betas, laser disc, videodisc, 8mm, etc.)

In Saturday’s Northwest Florida Daily News, my friend and colleague Del Stone wrote wistfully of viewing “The Invaders,” a favorite TV series of his youth, today by way of a DVD boxed set. “The Invaders,” alas, don’t hold up as well when viewed in adulthood, Del said.

How I sympathized.

I have always been a huge fan of those British action/adventure/spy/secret agent “The” series: “The Saint,” “The Protectors,” “The Persuaders,” “The Prisoner,” “The Champions,” and my absolute favorite TV series of all time, “The Avengers.” I have box sets of them all, plus a couple that omitted the “The”: “Danger Man” and “Secret Agent” (precursors, respectively, to “The Prisoner”). American classics on my shelf include “I Spy,” and the greatest American classic “The” series, “The Man From U.N.C.L.E.”

(Trivia time: U.N.C.L.E. stands for United Network Command for Law and Enforcement. Its concept was scribbled on a napkin by Ian Fleming, creator of James Bond, who also named The Man and The Girl from U.N.C.L.E. respectively, Napoleon Solo and April Dancer. Fleming was pals with Sam Rolf, the series’ creator.)

Anyway, we seem to have sidetracked: Watching some of those shows today, I have to share Del’s disappointment. While I still love the witty repartee between Lord Brett Sinclair, played by Roger Moore, and Danny Wilde, played by Tony Curtis, in “The Persuaders,” the show is not as stylish as I recalled, apart from an awful lot of early ‘70s absences of taste in both set decoration and costumes. (Tony Curtis was too old to be wearing those skin-tight leather pants.) Lord Brett’s gold Aston Martin, however, was the bomb!

“The Protectors” occasionally has to omit some key plot development in order to squish a whole adventure into half an hour while not omitting any of Robert Vaughn’s (the original “Man From U.N.C.L.E.”) wit.

“The Champions,” which I would occasionally watch at my pal John Laudi’s house as a kid, loses almost all of its mysticism and sometimes seems almost plodding. They really needed to take more advantage of Sharon, Richard and Craig’s special powers, bequeathed by the mysterious race of mystics in the Himalayas when their plane crashed.

“The Avengers” never failed to please. Stylish, witty and brilliantly written, it still holds up today. While the format with Honor Blackman as Cathy Gale, which proceeded the Emma Peel episodes, is a little rough, it is still well-written. But Emma Peel karate-chopped her way into my heart. Dame Diana Rigg remains a favorite actress, and “The Avengers,” with suave John Steed and that awesome supercharged Bentley in British racing green, has never been successfully emulated since its heyday in the mid- to late-1960s.

(”The New Avengers,” with Patrick MacNee’s Steed character in a more avuncular role to the younger, more active Purdy and Gambit, had a mid-’70s style of its own, yet retained the clever plots.)

If I’m not in the mood for action/adventure, I have plenty more boxed sets. Like the complete “Monty Python’s Flying Circus” collection, all the original “Absolutely Fabulous” and “Fawlty Towers,” the “Wooster & Jeeves” series (even when they moved the stories to Bertie Wooster’s adventures in New York and the series started going downhill), “Thunderbirds” (“Filmed in SuperMarionation!”), “Mapp & Lucia” and most of “Will & Grace.”

A series I was so pleased has held up, and in fact seems even better than when I first started watching it on Showtime in the 1980s, is “Robin of Sherwood,” a retelling of the adventures of Robin Hood and his Merry Men. Michael Praed, and later, Jason Connery (son of Sir Sean), were awesome in the title role, and the transition from the former, as Robin of Loxely, to the latter, as Robert of Huntingdon, was brilliantly handledfrom the second season to the third.

When I need my World War II history fix, I can pull down my boxed sets of “Band of Brothers,” “Victory at Sea” or “The World at War.” All are remarkable history series.

For sheer World War II fun and fiction, I just can’t go wrong watching a few episodes of my beloved “Hogan’s Heroes,” even with all of their historic inaccuracies. (I watched an episode two nights ago in which a Wehrmacht major was commanding a unit of Luftwaffe enlisted men. In fact, Wehrmacht Gen. Burkhalter commands a Luftwaffe Stalag and it’s fearless commandant, Col. Klink. It never would’ve happened given the well-documented rivalries between the different branches of the German military. But who cares?) And what’s with all those perennial patches of obviously fake snow in every episode?

Yet “Hogan’s Heroes” holds a special place in my heart. Dad and I used to have our evening quality time watching two back-to-back episodes after the evening news. I’d come home from my summer job, we’d flip on Channel 5 (WNEW, New York) in time to hear the anchor signing off with his signature, “Thank you for your time this time until next time,” and then the familiar drum introduction of Jerry Fielding’s familiar “Hogan’s Heroes March.” (I have two recordings of it, including an instrumental conducted by Bob Crane, and a vocal by several of the cast members. “Heroes, heroes, lusty men of war. We’re the sons of heroes of the war before…”)

I’ll even venture a bit of sci-fi in from time to time. (Del would be so proud of me!) “UFO,” done by Gerry Anderson, the same guy who brought us “Joe 90” and “Thunderbirds” had a groovy theme song and his wife Sylvia did fabulous futuristic costumes. If I wanted to get a tad (but not too) contemporary, I’ll pop in an episode or two of the original “Battlestar Galactica.” Those shiny Cylons must’ve wrecked havoc with studio lighting and camera placement.

But it’s still those fabulous old “The” series that draw me back over and over. They are endearing for various reasons:
• Canned studio ‘60s and ‘70s adventure musical scores
• That wonderful vivid color
• After viewing several episodes, you start to notice the same studio set has been redressed as a new location. On “The Saint” there’s a favorite “European city” exterior set on which they just changed out the shop signs from Italian to French or English, depending on where Simon Templar was battling the bad guys next. On “The Persuaders,” Lord Brett and Tony always seem to be dashing into the entrance hall of the same mansion.
• Some series, such as “I Spy” and “The Protectors,” were shot on location in exotic countries. The former must’ve spent close to a whole season on location in Asia.

They just don’t make TV shows like these any longer. Reality TV, hospital dramas and budding singers being insulted by snooty judges just hold no attraction for me.

Not when John Drake, Simon Templar, Napoleon Solo, Ilya Kuryakin, Kelly Robinson, Alexander Scott, Lord Brett Sinclair, Danny Wilde, Harry Rule, the Contessa Caroline di Contini, and the elegant, suave and sophisticated Emma Peel and John Steed have so many communists, terrorists, kidnappers, counterfeiters, extortionists and subversives to combat.

But only when I feel like watching them.

On the Mend

February 3rd, 2009, 5:54 pm by Brian

I realize I’ve been a bit remiss in posting a new blog for quite a while. Do forgive.
Today is Tuesday, 3 February, and it marks nine weeks since Dr. Michael Sheridan hacked me open and installed that spiffy new titanium heart valve. Since you have been wondering, I just wanted to give you an update.
In short, all’s well. I think I’ll live.
It’s really weird falling asleep and being able to hear your own heart working steadily away. That valve is really doing its stuff. I am pretty much back to my old routine.
I am back to my full two-mile morning walk, which I really enjoy. Some of my colleagues say, “Ugh, how do you manage that?” I’d say the same thing myself until I started doing those walks. The answer:
It’s easy once you put your mind to it.

Taking my daily two-mile morning walk.

Taking my daily two-mile morning walk.

And trust me, I was never a morning person. But now I find it simple to hop out of bed (OK, drag myself out of bed), throw on some clothes, and head out the door.
I follow a usual route, though my roommate Leon does a different route every day to break up the routine. I prefer the regularity of the same route, encountering the same fellow walkers when the weather improves. (On Mondays I allow myself a deviation and head north instead of south on Grandview Drive.)
I’m back to my old pace, pretty much. I still get a little tired now and then and might lag a bit. For the first several weeks I was getting home between five and ten minutes later than usual, but now my two miles take just about the same 35 minutes they used to.
In another three weeks I’ll be allowed to lift more than ten pounds, which, if Tammy Jo were more affectionate, would make her happy. Now I can pick up her svelte sister Wanda June, who weighs 8.6 lbs., but not chunky Tammy Jo’s 10.8 lb. bulk.
I’m really looking forward to being able to swim again. I miss those afternoon laps in our pond. That, too, will be permitted after the three-month milestone. Actually, it’ll be dependent on the weather. I do wait for the pond to warm up!
The troublesome problem is the scar. I think it looks positively Frankensteinian, no fault of the talented Dr. Sheridan. He assures me it will fade over time and look like a wrinkle, but “over time” means about a year. The vertical slash from my chest bone to a couple inches above my bellybutton is accompanied by two horizontal slashes about three-quarters of an inch in length each perpendicular to the vertical scar and at its lowest point, from which drain tubes dangled during the first three days after my surgery. They look just as nasty.

I feel so great that I sometimes forget I am not permitted to do things like reach and tug and push and pull. Today I almost dashed to assist our office manager Melissa when she asked for hand pulling a box down from a top shelf. Fortunately (or not) my chest reminds me when I do something I’m not allowed. My body also gives me a little kick when I cough or sneeze, so I’ve been real paranoid about washing my hands  frequently and liberally using hand sanitizer after I’ve been shaking peoples’ hands or covering stories out in public.
My real visible scar was in my neck where the doctors actually sutured into place a needle that went into my artery in case I needed emergency fluids or drugs injected. Ouch! I had this sort of faucet thingie attached for several days. It meant I couldn’t roll my head to that side in bed without jabbing myself in the neck. Ouch again! After it was removed, it has taken forever for the scar to fade.
Well, you asked!
What has really helped me a lot has been your kind words and prayers. Thanks to your support and me behaving and following doctors’ orders, Dr. Sheridan pronounced me “the poster boy for valve replacement surgery.” Kinda cool, hunh?
Thanks for being there for me.

Thoughts on Holiday Heart Surgery

December 10th, 2008, 5:17 pm by Brian

Some of you knew I was about to have surgery last week to correct a deteriorating aortic heart valve. I learned about it in 2004 and my cardiologists and I have been monitoring it since. (I always suspected my supervisor back at my old cruise line job in New Orleans aggravated the situation!) I don’t think word got out to everyone, so I just wanted to give you an update.

I live! I live!

I went in Tuesday morning, 2 December, at 5 a.m., and fortunately was given ample time to catch up on my sleep. The thoracic surgeon didn’t stitch me back together until after 4 p.m. (My apologies to anyone patiently waiting to use that operating room at the Fort Walton Beach Medical Center.) I first remember coming to close to midnight.

I had a sensational heart surgeon, Dr. Michael Sheridan. At his recommendation I opted for a titanium valve instead of tissue, because at my activity level, I would’ve worn out a tissue valve within 12 or 15 years and would face replacement surgery all over again, he explained. The titanium valve will outlast me. (But will it set off metal detectors at airports, I wonder?)

At Dr. Sheridan’s urging, the nurse in Cardio-Vascular ICU had me up and sitting in a chair by 10 a.m. the morning after surgery. After lunch that day, she came in my room and asked, “Are you ready for your walk?” Through thoughts still hazy from anesthesia, I had imagery of scenes from World War II films in which nurses in starched white uniforms wheeled people about the garden in wicker wheelchairs. No, the only wheeled conveyance in the lovely Nurse Amanda’s mind was a four-wheeled cart on which I’d cling for support.

Yep, I was up and walking less than 24 hours after open-heart surgery. I was dangling all sorts of tubes and wires, and two collection units for nasty bodily drainage fluids got to ride in the cart, but I was walking. Friday morning the tubes came out (preceded, at my insistence, by a warm, happy shot of morphine), after which I was tethered only to a bundle of monitor cables. I was told I could unplug myself and walk at will. I was also allowed to regain some dignity and wear my own lounge shorts, though I still had that humiliating hospital gown on top. If I had a visitor or other escort, I was allowed to leave the unit and walk the corridors.

(Amusingly, FWBMC rules prohibit patients ambulating the hallways unless they are draped by gowns on both sides. I guess there were complaints of bare, unattractive rumps shocking visitors!)

Saturday evening they moved me upstairs to Progressive Care, where I had a private room big enough to host a dance party in, and bigger halls to roam. My new monitor broadcast a signal to the nurses’ station, so I didn’t have to unplug myself before having a walk around. Sunday morning my dressings came off and I took my first full shower. I also saw my incision sites for the first time. There’s obviously a good reason there are no mirrors in the rooms in CVICU: patients would get a glimpse of their wounds and have further heart woes!

Sunday afternoon Dr. Sheridan came in my room as I was writing Christmas cards and said I could go home. I called my roommate Leon and told him, “Fetch the car!”

It is great to be home and enjoying the holidays. As I can’t lift more than ten pounds, nor reach, tug, climb ladders, etc., for the next two months or so, I get to supervise decorating the house. Leon’s sister had a tree cut down for us at a farm up near Andalusia, Ala., and I got some new ornaments to hang during my recent three-week trip to Germany, Sweden and France.

So…I am home, sleeping in my own little bed, and when I have pain, I pop a Lortab or two, which is “the good stuff,” I am assured. (I see it being hawked on the street all the time in the police reports I monitor for the paper.) That will explain last night’s peculiar dream in which a citizen mob was selling out of the back of my Land Rover European candies left behind by a bunch of party-goers whom I had given a lift up at LSU. I told you it was the good stuff!

I hope your Christmasses are going well. As I face mine with a new heart valve beating madly away and a recuperation aided by the thoughts and prayers of my friends, it sure drives home the need to focus on the more precious gifts we’ve been given, rather than the latest electronic geegaw. Two that pop in my mind are life itself, as well as the special bundle that showed up in a manger in Bethlehem a couple millenia ago. Please try to  keep the perspective correct. ;-)

And thank you for your support and prayers.

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