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‘Dreams Come True’ close to home

February 2nd, 2010, 4:05 pm by Brian

While I was in New Orleans over New Year’s, I explored an incredible exhibition at the city’s premiere art museum. Disney lovers and movie buffs have a rare opportunity to plunge into one of the most magical aspects of Disney culture. And it’s closer than the more than six-hour drive to Orlando.

Until March 14, “Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio” is on exhibit at the New Orleans Museum of Art. It’s a marvelous cornucopia of imagery showcasing the exceptional high quality of animated film artwork for which the Disney name is synonymous.
It’s also the exhibition’s only stop in North America, and is fittingly displayed in the town that’s the setting for the studio’s newest animated film, “The Princess and the Frog.”

Exhibited in the grand New Orleans Museum of Art, or NOMA as it’s familiarly called, are more than 600 original artworks and artifacts from the Disney studios, including rare hand-painted animation cels, conceptual sketches, doodles, background paintings, and three-dimensional study figures of beloved animated characters used as guides for studio artists.
From Disney’s first feature-length animated film, “Snow White and the Seven Dwarfs through “Cinderella,” “Sleeping Beauty,” “The Little Mermaid” and “Beauty and the Beast” to “The Princess and the Frog,” visitors traverse theme galleries devoted to each film. With each, monitors display short film clips showing how the individual sketches and paintings led to the final films beloved by filmgoers throughout the world.

Rare gems on display include original theatrical posters, plus art from some of the Disney Studio’s earliest sound animated films, including “Steamboat Willy.” A short introductory video presentation runs continuously in the museum’s Stern Auditorium.

Don’t go dashing right off after you enjoy “Dreams Come True,” however. NOMA is one of the city’s cultural jewels, and art lovers of all degrees will love poking through its nearly 20 other galleries. Permanent exhibits include delightful portrait miniatures, decorative arts, photography, European paintings including several Monets, and Asian, Oceanic, African and pre-Columbian and American native arts.

My absolute favorite, however, has always been the glittering collection of works by the Fabergé studio for the Russian imperial court and aristocrats. Housed in its own little second-floor gallery, the pieces speak of an era of grandeur and excess while simultaneously exhibiting the masterful work of Karl Fabergé’s renowned studio.

The New Orleans Museum of Art is located in the city’s beautiful, extensive City Park. From Downtown, take the red streetcar up Canal Street and transfer to the Carrollton Avenue line, taking it to the end. Spend an artful day exploring a part of New Orleans many tourists who don’t venture beyond the French Quarter and Bourbon Street never know existed. Poor fools: Dreams Come True only for those who pursue them.’Dreams

Counting the days

January 19th, 2010, 11:48 am by Brian

When 1999 was about to click over to 2000, I was working for a river cruise line. One of our VPs came up with a brilliant idea: “A Millennial New Year” theme cruise. Brilliant idea, but a year too early. But no amount of basic math would change his mind.

Painful as it was, our Marketing Services department was obligated to crank out promotional materials advertising a Millennial New Year cruise a year early. Sometimes in a job you just have to do what the boss says, even if he’s wrong. A job’s a job—and health insurance is health insurance. (The out-of-town corporate parent company fired us all seven months before the actual turn of the millennium anyway.)

Recently there’s been an ongoing debate in our sister paper, the Northwest Florida Daily News, with correspondents arguing when the new decade began or will begin. Unable to resist, I weighed into the fray.

One correspondent recently offered a good argument why the current decade, which a good friend refers to as the “naughts,” ought to have ended at midnight this past Dec. 31. On a larger scale, it’s the same argument we heard why the previous millennium should have ended at midnight on Dec. 31, 1999.

“A decade ends on the last day of the year ending in 9,” the correspondent wrote in the Jan. 13 issue. “A person born on the first day of AD turned 10 years old at midnight on the last day of the year called 9.”

Unfortunately, good arguments don’t necessarily make a wrong into a right. To use the correspondent’s example, someone born on the first day of the first millennium AD would not reach his first birthday until the first day of year 2 AD. Why? Because he was born in the year 1. Add one year and his birthday would be in the year 2.

The reason is the ancient Romans had no concept of “zero.” Ten, yes. Zero, no. When Pope Gregory ordered the institution of the calendar we use today, he borrowed the Roman system and started with the year 1. Hence, we jumped right from 1 BC to 1 AD without pausing for a year 0, thus throwing everyone into a tizzy and causing this endless debate every time we conclude a year with a zero at its end. The greater the number of zeros at the end of a year, the greater the fuss.

To be clear, instead of starting the current era with a year zero, we started with 1. To complete each decade, we have to go ten whole years, so each decade, century and millennium ends in a zero and a multiple of ten. Not 9. Zero.

So, anyone who can count knows that all those people who attended “millennium” New Year’s bashes and went on “millennium” New Year’s cruises, including the ones on our boats, in order to be doing something or being someplace special on Dec. 31, 1999, actually only welcomed in the thousandth year of the second millennium AD, the hundredth year of the 20th century and the tenth year of the same decade they mistakenly thought they were bidding a fond “adieu.”

However, a year later, those who gathered for lavish celebrations on Dec. 31, 2000, in fact welcomed in the new millennium, the new century and current decade. Start counting from there and you’ll see this decade won’t be over until Dec. 31 this year. I myself welcomed the new millennium on a terrace in Stockholm, Sweden, overlooking the harbor and one of the most spectacular fireworks shows I ever saw.

With my friend and me was a sweet little old lady named Ulla, whom we had met at the train station. She knew right where to take us for a great view, and even better where to catch the train home so we could get seats on board before the train pulled into Central Station, where it was instantly overwhelmed with the celebrating mob. It is a wonder Ulla ever saw the change of the millennium: once, when she rolled up her sleeves as the railway carriage got warm, I noticed the unmistakable serial number from a Nazi concentration camp tattooed on her left forearm,

But anyway, back to the topic: As my friend of the naughts is quick to point out, a decade is any ten consecutive years you want it to be. The first decade of the James Bond films I do so enjoy ended in 1972, coincidentally with the introduction of Roger Moore as the screen’s second 007 (third if you count David Niven in the original Casino Royale). So yes, the naughts are indeed over, meaning the cardinal decade is indeed over, but not the ordinal decade. Making that cardinal decade more interesting is that it had one year that was still in the second millennium AD and still in the 20th century.

But it is the ordinal system that composes our calendar.

A big Crestview welcome

October 26th, 2009, 5:04 pm by Brian

As you can guess from my recent articles about Noirmoutier, Crestview’s French sister city, I’m wild about the place. It’s a magical, wonderful place, filled with warm, hospitable people. Friday night 46 of them (I think it’s 46) arrived at Northwest Florida Regional Airport.

I was so proud of the welcome our local hosts gave our guests. Their flight was almost two hours late, and after nearly 24 hours of travel, they were just bushed. As they staggered down the stairs and escalator, they were suddenly greeted by shouts and cheers and waving Tricolors (the French flag) from their Crestview friends (new and old). You could see their eyes light up, their smiles grew big, and for the 20-some kids in their group, looks of apprehension vanished and were replaced by massive grins.

Once they were all assembled at the base of the escalators, they surged through the barricade, and under the amused but watchful eye of a TSA officer, the group from the concourse side and the group from the waiting side merged into one. There were hugs, and cheek kisses and hand-shakes and smiles all around.

There were my dear friends Gérard and Marie-Thérèse, René and Madeleine, and sweet Dr. Marie-Thérèse Reed, the world’s most consummate hosts. When my friend David and I visited Noirmoutier this time last year, there was nothing they wouldn’t do to make our stay comfortable, happy and memorable.

There were many of the students I met at their school and at a community forum, including Momo, with his arm in a sling (what’s that all about?), and Bruno, whose brown eyes constantly twinkle and who’s always ready to smile. There was the headmaster, Monsieur Perrocheau, and Noirmoutier’s Mayor Noël Faucher and their wives. There was Ivan, one of the “BAFA boys” (official escorts) I had met last year.

And there were two new friends, Xavier and Christophe, who are staying with us. (Xavier is René and Madeleine’s son.)

Some misguided people around these parts sadly still dismiss the French, which is rather shameful when you consider that these lovely folks have been America’s stalwart friends since before our Revolutionary War. Like any friends of many years, there are bound to be occasional differences of opinion. No friends agree on everything, and friends always agree that sometimes they’ll disagree, but they also agree that differences are quickly buried in the past. Especially when the friendship is so much bigger than any silly minor differences of opinion, it is an excellent reason not to harbor lasting resentments and make insulting wisecracks. Friends don’t do that. And these lovely people from Noirmoutier are most definitely our friends.

I was proud of the welcome they received, both at the airport and about an hour and a half later, at Jack Foster Stadium, when Mayor David Cadle presented Mayor Faucher the key to the city, and the Big Red Machine struck up “La Marseillaise.” (And the boosters at the Nut Hut distributed our guests’ first taste of that fabulous southern treat, boiled peanuts, to assuage rumbling tummies, many of which missed dinner in the dash from the airport to the high school!)

I hope our guests have even half the fun I had in Noirmoutier last year. And I can’t wait to see them again on their own, magical turf!

How We Miss 007!

September 30th, 2009, 1:52 pm by Brian

My friend Gary Firuta opened a fascinating can of worms recently. Gary is respected as one of the nation’s foremost authorities on James Bond, and commenting that Dame Shirley Bassey recently released a new album (you go Shirley!), noted that the last 007 film, “Quantum of Solace,” could have benefited from her vocal talents. Dame Shirley recorded the theme songs to three previous Bond films.

Gary also forwarded a news report titled “Will James Bond live to die another day?” reporting that M-G-M, the studio that, along with the Bond films’ producer Eon Productions Ltd., owns half the rights to the Bond franchise, may be on the verge of bankruptcy, which would put production of the next Bond film into turmoil.

What followed Gary’s comments was a plethora of general agreement, often accompanied by links to YouTube videos showing how one of Dame Shirley’s new numbers perfectly works with the “Quantum of Solace” title sequence, and is much better than the horrid racket, Alicia Keys’ “Another Way to Die,” the producers at Eon Productions chose.

Weighing in on the discussion have been such luminaries from the world of 007 as Doug Redenius, one of the execs at the Ian Fleming Foundation, which collects and preserves some of the Bond film vehicles and vessels, and Raymond Benson, who has authored several Bond short stories and novels for the estate of the late Ian Fleming, Bond’s creator.

I finally added my own two-cents’ worth: “I heartily agree with Gary et. al. That Jason Bourne movie they called “Quantum of Solace” sucked so bad it’s a wonder we weren’t all propelled violently out of the cinema. What a pity to waste one of the greatest Bond titles on a movie that bore no resemblance to a Bond film,” I wrote.

“One can only hope that when MGM/UA/Eon/Whoever get their acts together, they will budget enough money for the next 007 film to be able to afford tripods for the cameras and color film stock. Maybe there will be enough left over to purchase a good plot, too. (Maybe they have a left-over plot on the shelf from the last production, seeing as none was used.)”

I got a nice reply from a polite fellow named Tom Zielinski, a knowledgeable Bond enthusiast who runs an interesting 007 blog:

I too had issues with QOS.  My review at HMSS (http://www.hmss.com/films/QOS/TZreview.htm) notes some of your very points, and I gave it a mediocre review,” Tom wrote me. “But to imply that it is not a Bond film is ridiculous.

“No disrespect here, but I’m curious.  I’m guessing you’ve seen QOS but once and would prefer Roger Moore’s take on Bond?” Tom asked. “Your opinion is certainly as valid as anyone else’s.  Again, I’m simply curious.”

Since Tom asked for my opinion, I gave it to him. I should note, by the way, for one Bond enthusiast to suggest another Bond enthusiast prefers Roger Moore’s amusing portrayals of 007 over any of the other five actors’ performances (six if you count David Niven in “Casino Royale.” Seven if you include Barry Nelson, the first actor to ever portray James Bond) borders on a rather snooty insult. Here’s how I replied to Tom:

Hi Tom, yes I only saw QOS once. It was such an unpleasant experience that I haven’t been able to bring myself to even watch the DVD that I obligingly bought to complete the collection. The shaky, unsteady camera-work, the fast MTV edits, etc. actually made me queasy at some points!

Apart from calling one of the characters “James Bond” and another one “M,” I really didn’t see anything in that film that looked like a James Bond movie. It was absolutely no different than the last Jason Bourne movie: just a lot of bam! bam! bam!, cut! cut! cut!, loud explosion! loud explosion! The color was washed out and the camera must’ve been handled by someone with Parkinson’s who was off his meds the way it wobbled all the time, not that any one scene lasted long enough to actually allow any artistic camera use anyway. James Bond films have elegance, style and class. QOS had none of those attributes. It didn’t even have a decent theme song or a memorable score.

I still prefer George Lazenby as 007, and only wish he hadn’t been so head-strong that he didn’t let Cubby and Harry mold him to the role over several films. What a loss! Roger was amusing, but I still prefer him as Lord Brett Sinclair (in the TV series “The Persuaders,” in which he costarred with Tony Curtis) over 007. But even Roger’s worst Bond film, “Moonraker,” was eons (ha ha!) ahead of that sad tripe we were subjected to last fall. The day after we saw QOS, after I was done apologizing profusely to my friend for forcing him to sit through it (at least dinner at an excellent seafood restaurant that night assured the evening wasn’t a total waste), we actually watched “Moonraker.” Compared to the drivel we saw the night before, it was an exquisite Bond romp and Roger Moore was simply brilliant.

I know the series has to progress to remain relevant and attract new market share, and we can’t linger in the widescreen, Technicolor beauty and sophistication of the Sean Connery years — augmented, of course, by a lush John Barry score — but to completely abandon the elements that make a James Bond film a James Bond film is ludicrous, and in a way, insulting to movie audiences. Lose those elements and you’ve no longer got a James Bond film. With QOS, Eon did — and we haven’t.

A new era in CHA theatre

August 12th, 2009, 9:37 am by Brian

CHS drama teacher Joe Hernandez has done a lot in three short years to revive Crestview High School’s once-renowned drama program. In its heyday, drama teacher Mrs. Shirley Cadle and her husband, then band director Mr. David Cadle (now our mayor), collaborated to produce big, glorious musical theatricals on a truly impressive scale. Their shows are fondly remembered by many in our community, so when Mr. Hernandez was hired, there was great anticipation for the stage spectaculars so many folks missed.

Reviving the drama program, Joe Hernandez has had to take baby steps as he inches the department in the direction of the big, splashy productions for which the school was renowned. His tireless enthusiasm and energy have paid off. Hernandez, who is heading off to the University of Southern Mississippi to pursue his masters in fine arts in theatre, leaves behind an equally spirited troupe of young thespians.

When the curtain rises on the brilliant Neil Simon comedy “Brighton Beach Memoirs” next month, it could be argued that the show would have three directors; Hernandez, his successor Allison Wilks, and the kids themselves. For during the gap between Hernandez’s departure and Wilks’ arrival at CHS, the troupe of seven performers have been self-directing themselves in preparation for their Sept. 17 opening night.

Compounding the challenges in producing “Memoirs” are the summer renovations to the Pearl Tyner Auditorium—an exciting feat in itself—which means Neil Simon’s wit has been echoing in a variety of rehearsal venues around town, including several church halls. On the bright side, when the curtain goes up next month, it will be a brand new grand drape, under a new ceiling, and the room will resound to a new audio system.

I talked to Jesse Hinton yesterday. He’s got the lead role in “Brighton Beach Memoirs,” a role originally played on Broadway by Matthew Broderick, who won a best-actor Tony for it. Jesse’s enthusiasm practically spewed out of the phone as he told me he and his six fellow cast members are doing “whatever it takes” to assure a successful production. I’ve seen Jesse, as well as the rest of the cast, on stage before and trust they will do a superb job.

It is an exciting time to be a theatre enthusiast in Crestview. I can’t wait to see to what heights Allison Wilks will elevate the CHS drama program.

Welcome, Allison! Break a leg!

What part of “Do Not Call” don’t politicos understand?

July 22nd, 2009, 12:00 pm by Brian

When our representatives to Congress finally created the National ‘Do Not Call’ Registry, they also created a couple substantial loopholes. Not surprising, they exempted themselves and all other politicos. For good measure, they also exempted charities and non-profits, pollsters and media.

As anyone who has ever gone dashing through the house to grab the phone after settling on the couch to watch a bit of TV after supper only to find it’s someone begging for votes or money can tell you, these shameful loopholes suck.

Last night I returned home to find Congressman Jeff Miller had filled half our answering machine with so much political blah blah blah. Today I called his local Pensacola office (no one answered at his Fort Walton Beach office) to ask that our phone number be taken off his call list.

The earnest receptionist didn’t seem to understand my request and lectured me insistently on the permissibility of the congressman to bother anyone he feels like, whenever he feels like it. In true politician style, the receptionist totally dodged my question, “What do you think ‘do not call’ means?” and, get this, repeated the same spiel she had just delivered! So, I asked, can I give you my phone number and have it placed on the congressman’s own “do not call” list?

Well, apparently there’s no such list. Ol’ Jeff can call me — and you — anytime he wants, and dagnabbit, he’s determined to do so.

Therefore, here’s what our politicians need to do:
1) Remove all exemptions to the National “Do Not Call” Registry. What’s so confusing about the simple request to “do not call”? It means “I don’t want you to call me.” Plain and simple. Even if you’ve allowed yourself a shameful loophole, you should still check the registry just in case I’m on it. If I don’t want someone calling to sell me a timeshare, it probably a good bet that it also means I don’t want you calling to sell me a load of political bull ca-ca either.
2) Today’s technology is pretty impressive. For those people who like receiving calls from charities and non-profits, allow them a mechanism to opt-in to receiving those calls. Same for those folks who like having pollsters interrupt their dinner hour. But make it a conscientious decision on the part of the telephone subscriber to purposefully choose to allow those calls.

So I had the bright idea that I’d call Jeff Miller at home during his supper and discuss his thoughts on telephone abuse and interruptions during quality time with the family, but — what a surprise — his insistent receptionist just said “thank you for calling” and hung up on me.

Let’s write or call our representatives and get them working on closing those National “Do Not Call” Registry loopholes. They’re being abused, and their authors are the worst abusers.

Local Arts Committee Off & Running

July 21st, 2009, 11:45 am by Brian
I just wanted to give a quick report on last night’s (Monday, 20 July) meeting of the local committee of the Okaloosa Arts Alliance. I’ll have the full story in next week’s News Bulletin’s Arts & Entertainment section. We met at the library in the big meeting room, and though only six of us showed up, there was an air of excitement and expectation that we are on the threshold of seeing great things happen in the north end of the county’s art scene.
Rae Schwartz, as a board member of the OAA, chaired the meeting in the absence of OAA staff who had intended to join us, but one took ill and the other didn’t realize she would be needed to fill in. We missed them, but had a good, substantive chat. There was enthusiasm galore, not just because we know there are bunches of talented visual and performance artists all over the area, but because they now have a central organization through which they can promote north county arts.
It’s important that local artists embrace this opportunity. The more who get involved, the more attention we can garner for the local arts community, and the more the Crestview area community in general can benefit. The next meeting will be Tuesday, Aug. 25, at 6 p.m. at the library. All artists, art lovers, art supporters and art instructors should be there or be cubist. (Ha ha, that was a lame art joke.)

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Summer Arts are Flourishing

July 15th, 2009, 4:13 pm by Brian

It’s hot and sultry outside but inside I discovered the arts are flourishing. I swung by the Crestview Public Library this morning and saw a really cool exhibit in the lobby display cases. A talented young mixed-media artist named Eliezer Nieves has on display a captivating selection of pieces done in what he calls “color graphs.” He employs clippings and text from publications as well as photos and hand-written thoughts to make bold, eye-catching statements about a variety of topics, including current events, politics, relationships and people. The exhibit will be up through August. Check it out.

Next I swung by the library meeting room and watched a slew of youngsters making piggy puppets under the watchful gaze—and with a bit of assistance from—their guardians, parents and teachers. It was the regular monthly Family Crafts gathering, one of the many great services offered at our library. With a broad smile, four-year-old Aaron Bailey held his puppet up proudly. Look for a photo of Aaron, his puppet, and his proud mom, Donia Bailey, in next Wednesday’s Arts & Entertainment page in the News Bulletin.

Over at the high school, rehearsals are in full swing for the Drama program’s fall production of Neil Simon’s comedy, Brighton Beach Memoirs. Sadly, drama teacher and director Joe Hernandez is leaving CHS to work on his master’s degree in theatre, but he assured me an equally talented and enthusiastic replacement, one of his classmates, will most likely be hired to take his place and continue the momentum as the lavish, professional and enjoyable productions the community enjoys continue at CHS.

Down at the north end of the main hall, Summer Art Camp is in full swing under the instruction of art teachers Laurel Siwicki and Lori Phillips. Aided by rising seniors and alumni artist aids, the camp boasts its largest enrollment ever, with 39 young artists making everything from mixed-media self portraits in a cubist style to sculptures using pipe cleaners. Today they were writing their own fairy tales, which they will then illustrate.

The arts are as valuable to our schools—and community—as sports and academics. They are a hallmark of a civilized and cultured people. We are fortunate to have so many venues for locals to express themselves in visual and performing arts here in the Crestview area. Go out and make or support art!

PS: If you love art, support art, make art or teach art, be at the Crestview Public Library on Monday, 20 July, at 6 pp.m., for the organizational meeting of a Crestview area committee of the Okaloosa Arts Alliance. Let’s get some of that county art money and events flowing to the county seat, Okaloosa County’s largest city. To get more information, e-mail Rae Schwartz at bakerny@yahoo.com and just ask.

A Virtual Trip Home

March 4th, 2009, 3:31 pm by Brian

No, no, no, Newark, N.J., is not my hometown! I just happened to have been born there. (In St. Barnabas Hospital, in case you wondered. And no, it hasn’t anything to do with the sympathetic vampire on Dark Shadows.)

My hometown is Highland Lakes, N.J., or as I proudly rattled it off as a very little person, “Hiyakesnewjersey.” Within a month of my birth, I was living at what is now 107 Vista Road. (We didn’t get a street address until I was in high school. For years we were PO Box 491. Then we became RD#1 Box 366.)

Highland Lakes was a cool place to grow up. Five lakes—four of them manmade—seven beaches, ball courts, tennis courts, swimming and sailing galore. (There was also great fishing, but that activity bored me to tears.) It was up on Waywayanda Mountain, from the highest peak of which you can see into New York state to the north. I spent many hours up on that peak doing my homework with the dog. (She was very good at conjugating Spanish verbs and was a whiz at the periodic table of the elements.) In winter I’d ride my bike on the frozen lakes. It was my only opportunity to ride on a flat surface, as everything else was hills, many of them substantial.

I haven’t been home to Hiyakesnewjersey since Dad passed away in February 2007, but I’m hoping to go back and see friends there early this summer. Meanwhile, my brother recently notified me that Dad’s house was back on the market, and for considerably less than we sold it for to a couple named Jason and Kimberley. I’m sorry they have to sell. They seemed a very nice young couple.

We looked at pictures of all the work they’ve done to it since we moved out. Some changes I like, and some just ain’t right. Foremost among the latter is the loss of the “country cabin” style that made our house so homey. It used to have neat, rough-cut wooden siding. Making it warm and cozy inside was awesome knotty pine paneling. This was the real stuff, not masonite printed to look like knotty pine.

The new owners covered the house in beige vinyl siding and ripped out all the knotty pine inside and hung sheetrock in its place. They did some good stuff, though. There’s an awesome front deck that overlooks the lake, about half a mile away, and they replaced and enlarged the back deck.

(That’s where Dad was engrossed in his newspaper one sunny day when he heard someone clear his throat at the steps. Lowering his paper he found himself about six feet away from a friendly bear, who, with a bear’s limited visual acuity, hadn’t noticed Dad behind his newspaper. Dad shot into the house and the bear, just as surprised as Dad was, shot up a tree. From those vantage points they stared at each other through the kitchen window.)

The front deck used to just be a landing by the door. I recall sitting on my grandfather’s lap there on a drizzly spring day. I was bitterly disappointed that it was raining because Poppa and I were supposed to go for a walk and I was really looking forward to it. However, we passed a very pleasant period just sitting on the landing, sheltered by its roof, and chatting about all those wonderful things a boy discusses with his grandfather. Since then I’ve always enjoyed sitting on a porch and watching the rain.

The new folks knocked out the nice, big picture window to put in a suburban house’s sliding glass patio door, which I think just doesn’t fit. But they did some good stuff, too. Our old dining room, which had previously been an open porch when the house began life as an early 1950s summer cabin, was opened up and turned into the kitchen. The old kitchen, which was miniscule, was totally ripped out, as was Dad’s little office, which was originally the cabin bathroom. Those changes enlarged the living room nicely.

Jason and Kimberley also tore out the original cabin attics, extending the cathedral ceiling the length of the old original cabin. (Though for some odd reason they flattened it out instead of allowing it to go all the way up to the peak of the roof, as it used to.)

In the “new” section of the house, which dates from 1962, they reduced the size of the landing that leads to the original section of the house. That’s a shame, because it made a grand prescenium for the production of childhood plays. On the other hand, I see a photo of my bedroom, which has been converted to a sort of study. My closet is now a pair of bookshelves, which I think looks really sharp.

Kimberley told me one of her favorite features is a reproduction of an antique map of the world on the wall in the upstairs hallway. Dad hadn’t painted the hallway walls yet, and the unfinished plasterboard reminded me of antique parchment. I painted and drew the map on the wall over a succession of cold, winter nights in 1972. In fact, while I was working on it, President Nixon came on the TV downstairs and announced the signing of the Paris peace accords, ending our involvement in Vietnam. Kimberley told me that it was in front of the map that Jason proposed to her, knowing she liked it so much. She told me the only change they made was to mount a frame around it.

The garage now has a peaked roof. It used to have a sort of flat roof with a very slight peak to it. It was used as a sundeck and was the location for many wonderful picnics and lazy days in a hammock. Our pseudo-cousins, the Doaks, would come up from Pennsylvania and we’d have loads of fun driving pedal cars around that sundeck while our parents visited. They were the sort of relatives you’d have if you could pick your own relatives. I stay in regular touch with pseudo-cousin Allen, who is a swell guy and a great friend.

One wintery day after a nice, deep snowfall, a friend and I set up a folding lawn chaise lounge in the snow and my friend, wearing naught but his swimsuit, sprawled on it with a book, sunglasses and an iced tea while I took pictures. (I need to get hold of copies of those pix!) And it’s where Spooky, our half German shepherd, half Newfoundland mix would lounge on a summer’s day. (Our grandmother was convinced she would escape by jumping off the sundeck. Spooky was no idiot. She’d escape by going to the other end of the yard and jumping from a small hillock over the fence.)

It was fun looking through the slides on the realtor’s Web site, but it was also sad in some ways to see the home that holds so many memories looking so dramatically different. My brother and I agree that Mom would have a fit if she saw all that wonderful (and extremely valuable) knotty pine so callously ripped out. But she and Dad would’ve liked the idea of converting the dining room into the kitchen and opening it to the living room. We had plenty of plans to expand the kitchen, but had never thought of that option.

Someone said you can never go home but that’s not true. For many, such as myself, home is always in a warm place in my heart and I can visit it whenever I wish. In my mind I can still vividly see all those Christmasses and birthdays and graduation parties and Thanksgivings and snowball fights and sledding down the driveway and raking leaves and doing homework and family Monopoly nights. Looking at those photos on Weichert Realtors’ Web site brings them all rushing to the forefront.

Highland Lakes will always be my hometown.

I’m just glad Jason and Kimberley got rid of the avocado kitchen appliances and orangey-red carpet. What WAS Mom thinking?

(Want to see my childhood home as it looks today? Here’s the link to the realtor’s Web site: http://www.weichert.com/search/realestate/propertylisting.aspx?P=22773722)

Open Channel D

February 12th, 2009, 5:19 pm by Brian

Alternately depressed or incensed by the evening news, my friend Troy finally stopped watching it all together. No use getting his blood pressure up over stuff he has no control over anyway. Years ago he switched to, and now sticks with, Nick at Night.

“If it hasn’t happened in Hooterville, I don’t know about it,” he proudly boasted. I must agree with him.

Before I came over here to the Emerald Coast, I had DirecTV. I was so excited when I was able to drop my cable TV, because Cox Cable, New Orleans’ cable TV monopoly, is notorious for its miserable customer service in the Crescent City. (I hear they’re pretty good over here.) Finally I gave up on ‘em, bought a dish, and loved watching NewsWorld International, the History Channel and “So Graham Norton” on BBC-America.

Then DirecTV raised their basic rate above $40 a month and I realized it was a huge waste of money just to watch three channels.

“But we have 2 billion (or whatever the number is) sports channels,” the customer service dude protested when I called to cancel my service. Who gives a flip? I don’t watch sports.

He offered to keep me at the previous rate for three more months. Still not worth it. I’d made up my mind. I cancelled my satellite service.

I suddenly felt so liberated!

I didn’t have to drop everything at night when NewsWorld international ran the English-language service of Deutsche Welle. I didn’t feel obligated to see who Graham Norton had on as a guest. (Though the time he featured Sylvester Stallone’s mother Jackie because she could read peoples’ fortunes by examining photocopies of their nekkid rumps was a howler.) I did, though, kinda miss the History Channel.

I know, I could’ve bought a TiVo and watched these shows at my convenience. But ya know, not having to watch them at all was so incredibly liberating.

On those occasions when I felt the need for a little telly, I’d go to my video library and select a DVD, VHS or Beta and pop it in. (Yes, I had Beta right up until I moved to Crestview. I still have the deck and plenty of tapes in the attic. And yes, it is still a far superior format over VHS.)

When I moved to Crestview the satellite dish moved with me. It’s been in the attic since I got here. We once thought about hooking it up, but it looks so tacky stuck on the house, and besides, then I’d just have to subscribe to the service again. Then, once we’ve invested in the service, we’d feel an obligation to get something out of that investment, so when deep inside we’d really rather settle on the couch with a good book, we’d feel we’d better switch on the tube and watch the Hitler Channel (as a college educator friend’s students call it) to justify forking over more than $40 a month.

In fact, we’ve got it easy now. Living in a sort of hollow in north Crestview, we can’t get over-the-air TV reception at all. It’s a great excuse not to even worry about the switchover to digital television next week, er, I mean in June. (Does the government really think people who have been warned more than two years in advance that the switch from analog to digital is coming but who haven’t bothered to pick up their converter boxes yet will really do so now that they’ve been given a couple more months?)

But not getting TV reception is a stupendous reason to have a sensational video library!

(“Video,” to be clear, means any format for presenting images and sound on your television monitor, be it DVD, VHS, my beloved Betas, laser disc, videodisc, 8mm, etc.)

In Saturday’s Northwest Florida Daily News, my friend and colleague Del Stone wrote wistfully of viewing “The Invaders,” a favorite TV series of his youth, today by way of a DVD boxed set. “The Invaders,” alas, don’t hold up as well when viewed in adulthood, Del said.

How I sympathized.

I have always been a huge fan of those British action/adventure/spy/secret agent “The” series: “The Saint,” “The Protectors,” “The Persuaders,” “The Prisoner,” “The Champions,” and my absolute favorite TV series of all time, “The Avengers.” I have box sets of them all, plus a couple that omitted the “The”: “Danger Man” and “Secret Agent” (precursors, respectively, to “The Prisoner”). American classics on my shelf include “I Spy,” and the greatest American classic “The” series, “The Man From U.N.C.L.E.”

(Trivia time: U.N.C.L.E. stands for United Network Command for Law and Enforcement. Its concept was scribbled on a napkin by Ian Fleming, creator of James Bond, who also named The Man and The Girl from U.N.C.L.E. respectively, Napoleon Solo and April Dancer. Fleming was pals with Sam Rolf, the series’ creator.)

Anyway, we seem to have sidetracked: Watching some of those shows today, I have to share Del’s disappointment. While I still love the witty repartee between Lord Brett Sinclair, played by Roger Moore, and Danny Wilde, played by Tony Curtis, in “The Persuaders,” the show is not as stylish as I recalled, apart from an awful lot of early ‘70s absences of taste in both set decoration and costumes. (Tony Curtis was too old to be wearing those skin-tight leather pants.) Lord Brett’s gold Aston Martin, however, was the bomb!

“The Protectors” occasionally has to omit some key plot development in order to squish a whole adventure into half an hour while not omitting any of Robert Vaughn’s (the original “Man From U.N.C.L.E.”) wit.

“The Champions,” which I would occasionally watch at my pal John Laudi’s house as a kid, loses almost all of its mysticism and sometimes seems almost plodding. They really needed to take more advantage of Sharon, Richard and Craig’s special powers, bequeathed by the mysterious race of mystics in the Himalayas when their plane crashed.

“The Avengers” never failed to please. Stylish, witty and brilliantly written, it still holds up today. While the format with Honor Blackman as Cathy Gale, which proceeded the Emma Peel episodes, is a little rough, it is still well-written. But Emma Peel karate-chopped her way into my heart. Dame Diana Rigg remains a favorite actress, and “The Avengers,” with suave John Steed and that awesome supercharged Bentley in British racing green, has never been successfully emulated since its heyday in the mid- to late-1960s.

(”The New Avengers,” with Patrick MacNee’s Steed character in a more avuncular role to the younger, more active Purdy and Gambit, had a mid-’70s style of its own, yet retained the clever plots.)

If I’m not in the mood for action/adventure, I have plenty more boxed sets. Like the complete “Monty Python’s Flying Circus” collection, all the original “Absolutely Fabulous” and “Fawlty Towers,” the “Wooster & Jeeves” series (even when they moved the stories to Bertie Wooster’s adventures in New York and the series started going downhill), “Thunderbirds” (“Filmed in SuperMarionation!”), “Mapp & Lucia” and most of “Will & Grace.”

A series I was so pleased has held up, and in fact seems even better than when I first started watching it on Showtime in the 1980s, is “Robin of Sherwood,” a retelling of the adventures of Robin Hood and his Merry Men. Michael Praed, and later, Jason Connery (son of Sir Sean), were awesome in the title role, and the transition from the former, as Robin of Loxely, to the latter, as Robert of Huntingdon, was brilliantly handledfrom the second season to the third.

When I need my World War II history fix, I can pull down my boxed sets of “Band of Brothers,” “Victory at Sea” or “The World at War.” All are remarkable history series.

For sheer World War II fun and fiction, I just can’t go wrong watching a few episodes of my beloved “Hogan’s Heroes,” even with all of their historic inaccuracies. (I watched an episode two nights ago in which a Wehrmacht major was commanding a unit of Luftwaffe enlisted men. In fact, Wehrmacht Gen. Burkhalter commands a Luftwaffe Stalag and it’s fearless commandant, Col. Klink. It never would’ve happened given the well-documented rivalries between the different branches of the German military. But who cares?) And what’s with all those perennial patches of obviously fake snow in every episode?

Yet “Hogan’s Heroes” holds a special place in my heart. Dad and I used to have our evening quality time watching two back-to-back episodes after the evening news. I’d come home from my summer job, we’d flip on Channel 5 (WNEW, New York) in time to hear the anchor signing off with his signature, “Thank you for your time this time until next time,” and then the familiar drum introduction of Jerry Fielding’s familiar “Hogan’s Heroes March.” (I have two recordings of it, including an instrumental conducted by Bob Crane, and a vocal by several of the cast members. “Heroes, heroes, lusty men of war. We’re the sons of heroes of the war before…”)

I’ll even venture a bit of sci-fi in from time to time. (Del would be so proud of me!) “UFO,” done by Gerry Anderson, the same guy who brought us “Joe 90” and “Thunderbirds” had a groovy theme song and his wife Sylvia did fabulous futuristic costumes. If I wanted to get a tad (but not too) contemporary, I’ll pop in an episode or two of the original “Battlestar Galactica.” Those shiny Cylons must’ve wrecked havoc with studio lighting and camera placement.

But it’s still those fabulous old “The” series that draw me back over and over. They are endearing for various reasons:
• Canned studio ‘60s and ‘70s adventure musical scores
• That wonderful vivid color
• After viewing several episodes, you start to notice the same studio set has been redressed as a new location. On “The Saint” there’s a favorite “European city” exterior set on which they just changed out the shop signs from Italian to French or English, depending on where Simon Templar was battling the bad guys next. On “The Persuaders,” Lord Brett and Tony always seem to be dashing into the entrance hall of the same mansion.
• Some series, such as “I Spy” and “The Protectors,” were shot on location in exotic countries. The former must’ve spent close to a whole season on location in Asia.

They just don’t make TV shows like these any longer. Reality TV, hospital dramas and budding singers being insulted by snooty judges just hold no attraction for me.

Not when John Drake, Simon Templar, Napoleon Solo, Ilya Kuryakin, Kelly Robinson, Alexander Scott, Lord Brett Sinclair, Danny Wilde, Harry Rule, the Contessa Caroline di Contini, and the elegant, suave and sophisticated Emma Peel and John Steed have so many communists, terrorists, kidnappers, counterfeiters, extortionists and subversives to combat.

But only when I feel like watching them.

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